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Alarmingly cool coastal spot: Hokitika Fire Station Boutique Accommodation


A fire station is not the first place one would think to stay while on holiday. However, with the Hokitika Fire Station Boutique Accommodation, Hokitika heritage is combined with a distinctly modern flair.

 

 

Originally built in 1866, the Hokitika Fire Station has stood the test of time, even being burned down and rebuilt four times.

Today, it has been lovingly restored as accommodation.

The history of Hokitika’s fire services remain ever present within the iconic brick building, with oodles of firefighting memorabilia and nick-nacks lining the walls and the public areas of the Qualmark five-star deluxe apartments.

With three luxury studios upstairs and a three-bedroom family unit with added kitchen, and accessible apartment downstairs – each of the five apartments have been named after a fire chief who once led the Hokitika Fire Brigade.

Each apartment combines space, a modern en-suite bathroom and either a kitchenette or full kitchen.

The larger Chief Henshaw room has three beautifully kept bedrooms, dining area, full kitchen and living area. The ground floor Chief Millard apartment has full disabled access, a king-sized bed with additional queen size sofa bed with space for up to four guests.

History, beautifully kept apartments, décor, and five stars. What more could you possibly want from your stay in Hokitika?

“Hokitika Fire Station Apartments is also the only accommodation located in the Hokitika CBD to be given a Qualmark five-star rating,” says owner Kerry Jeffs.


 

Engineering hospitality: Kirk Roberts


Kirk Roberts continues to expand the horizons of ingenuity with its Sudima Hotel project in Kaikoura. Designed and engineered by Kirk Roberts, the project was always going to be at the forefront of technology and cost effectiveness.

 

The fully modular building was prefabricated in Christchurch and freighted for assembly on site.

Constructed inside and out in exposed concrete representing the local pier, bridges and volcanic rock, with the white textured concrete representing local limestone rock, and natural timbers to reflect the surrounding hills and mountains.

All materials are proudly Kiwi supplied. “Proving that we don’t need to go offshore, but this requires innovative, smart design and a co-operative builder like Calder Stewart,” says Chief Executive Jade Kirk.

Building Information Modelling (BIM) means the project is fully modelled to every screw and bolt, meaning, “We have a high level of cost control, with our build cost significantly less than anyone else or anywhere in New Zealand, while retaining top quality.”

The hotel features 120 rooms, a gym and pool, four-storey atrium and reception, full restaurant/bar and conference facilities, plus indoor and outdoor seating with stunning views to the north, east and west.

“The best thing is the economic benefit to the region: our conservative estimate is 40,000 rooms nights per annum with the majority of visitors new to Kaikoura.”

Local Runanga are a financial partner and committed to the success of the hotel, which will be the largest employer in the region with 40 to 60 staff.

“We love this project; we’ve had great local feedback and we are thrilled to be a part of the success of the region.”

 

 


 

Stunning sustainable design: Weir Architecture


Like a Phoenix rising from the ashes, the former eight-storey Latimer Apartments has overcome its troubled earthquake past to re-emerge as Canopy Apartments – a fabulous complex comprising 40 individual apartments overlooking Latimer Square and its century-old trees.

 

 

With options of studio, one-bedroom, two-bedroom, and four two-storey penthouse apartments, this is the ultimate in niche inner-city nesting.

Purchased in 2015, the brief given to Weir Architecture was to entirely modernize and reinvigorate the 21-year-old building.

The work entailed reinstating the previously demolished rear section of the building, enclosing the south-facing open external breezeway, incorporating a second high-speed lift, and creating a warm, welcoming covered entry and reception area.

The remainder of the building was meticulously re-planned and reconfigured, floor by floor, to maximise the efficiencies of the limited spaces available.

Superior fittings, materials and finishes were specified throughout kitchens, bathrooms and ensuites, while new double glazing and higher levels of insulation enhanced the building’s thermal envelope.

The building is owned by Mark Lanyon and Shane Le Compte of Lanyon & Le Compte Construction.

The pair have completed a number of landmark projects around Christchurch, including the post-quake remediation of an “as is, where is” office building which became the city’s tallest hotel, the Crowne Plaza.

Weir Architecture are founding members of the New Zealand Green Building Council.

Imperative to its ethos is to find alternative, innovative ways to repurpose buildings that would otherwise become landfill.

Canopy Apartments is a triumph in sustainable design and construction; it’s a building Christchurch can be proud of.


 

Exceptional in Otago: Ferguson Builders


It’s been a whirlwind of change over the past four years for Ferguson Builders of Queenstown. Since moving to Central Otago, Rob and Mel Ferguson have seized all the opportunities the area has offered to grow and expand their company.

 

 

“When we first moved here and began building, our team was no more than four. Now we have a team of 16 – from builders to office staff and an in-house quantity surveyor (QS),” Mel says.

“But one thing that is not going to change is Rob’s close relationship with our clients. He is still the person clients deal directly with. That’s our focus and what has helped us be successful.”

It is true that Ferguson Builders’ goal as they have grown has been to find even smarter ways to serve their clients.

“The in-house QS saves clients time getting accurate pricing. We have an office now with plenty of yard space and a meeting area for clients to see samples of the interior products we use in our builds. That presents a professional image for clients and has freed up our own home that we used to work from, to be a living showhome of our workmanship.”

The company is the specialist builder of choice for architecturally-designed houses.

“We have great relationships with local architects, like Artur and his team at Artektus who create beautiful architectural designs, are efficient and a pleasure to work alongside. Our high-performing employees all share Rob’s passion and commitment for this demanding and detailed type of work.”

Ferguson Builders have built several architectural homes at Jack’s Point, including their own family home. Each is exceptional in its construction and finish – a testimony to their craftsmanship.


 

A bit of Italy in Fendalton: Feutz & Goldsmiths


“We thrive on the challenges and demands of building architecturally designed homes. They make us think; they give us the opportunity to show a high level of detailing.”

 

 

Craig Feutz of building company Feutz and Goldsmith certainly had all those opportunities and challenges on his hands with his company’s latest build – a four-bedroom Italianate house in Fendalton.

“The house was designed by Italian-born architect Alessandro Quadrelli and has a myriad of Italian features from its skinnier and longer-than-standard Roman-style bricks to its tiled bathrooms and use of marble and different types of timber,” Craig says.

“Inward-opening windows are recessed into the building. It’s definitely not a run of the mill house, but one that does give a nod to an older style of architecture. It was our job as the main contractors and project managers to bring this beautiful and complex concept to practical and workable life. The quality of finishing required was really next level, but that is what we specialise in and what gives us real satisfaction.”

Feutz and Goldsmith was not just responsible for building the house itself; a project taking about a year and a half.

The company also undertook all the earthworks associated with the build, as well as laying the driveway and doing all the landscaping works.

“Being on the corner of a busy road, access to the site was another issue we had to overcome and problem solve, but we are very proud of the finished home. It’s timeless and a true representation of the work we excel in.”

Ph: 03 359 6046 | www.feutzandgoldsmith.co.nz


 

A beacon of sustainability


Ngāi Tahu Property has waved its green wand over the central city, with the residential, commercial and industrial land developer now celebrating a five Green Star rating and 5.5 star NABERSNZ energy efficiency rating for the Pita Te Hori Centre building.

 

PHOTO OLIVIA SPENCER-BOWER OF PROJECT STORY

 

The New Zealand Green Building Council awarded Te Urutī, one of two five-level office buildings in the Pita Te Hori Centre, a 5 Green Star rating.

That confirms the sustainability of its design, construction and completion achieves New Zealand industry excellence.

Meanwhile, the NABERSNZ rating reflects its market-leading energy efficiency performance following occupation by tenants.

The green credentials follow last year’s confirmation of a 4 Green Star rating for Iwikau – the other commercial building in the centre’s first stage.

The centre was designed by Warren and Mahoney Architects in conjunction with services engineers and Green Star professionals from Powell Fenwick and Aurecon.

Ngāi Tahu Property Chief Executive David Kennedy says the ratings are a fantastic result which can ultimately be tied back to following Ngāi Tahu values.

“Sustainability is a key feature of kaitiakitanga; one of our core values which we share with our ultimate owners, Ngāi Tahu whānui-families,” David says.

“The Pita Te Hori Centre also showcases other values including tohungatanga – expertise and rangatiratanga – leadership. Truly living up to those values meant not treating sustainability as a ‘tick-box’ exercise. Everything we did provided real benefits to everyone using the buildings and all of Ōtautahi-Christchurch.”

Those benefits include tenants being able to provide excellent conditions for their staff.

Sustainable technologies lower energy requirements and onsite energy production reduces demand on electricity distribution networks, ensuring the buildings have much lower carbon emissions than standard.

Development Manager James Jackson says the Pita Te Hori Centre features Christchurch’s first district energy system utilising aquifer-sourced heating and cooling through highly efficient heatpump technology.

The scheme provides up to 215,000 kWh of clean heating and cooling capacity each year.

Additionally, solar panels generate up to 106,000 kWh of electricity annually supporting the Pita Te Hori Centre’s peak usage periods.

Smart LED lighting also significantly reduces energy consumption.

Ngāi Tahu Property installed sensor-monitored ventilation ensuring above-code air-quality in the buildings.

Low-flow water fittings are complemented by individual metering for tenancies encouraging further water-use reductions.

“A myriad of clever, sustainable technologies work together across the Pita Te Hori Centre,” James says.

“These environmental solutions were embedded into the design of Te Urutī and Iwikau.”

These features are proving attractive to businesses who insist on healthy, safe and sustainable work environments for their staff.

“We have seen it is not just possible, but desirable, to build sustainable and healthy office spaces, with a range of Government departments and national and international firms choosing to base their South Island operations in our buildings.

“They appreciate and share our commitment to sustainable buildings and workplace practices.”

Located near the historic site of the ancient Puari Pā of Waitaha and Ngāti Māmoe, the Pita Te Hori Centre holds strong spiritual, cultural and historical significance for Ngāi Tūāhuriri, the mana whenua of the area and the wider Ngāi Tahu iwi.

Previously home to the King Edward Barracks and the former Christchurch headquarters of the New Zealand Police, the site also carries historical military and civic significance.


 

The latest reborn beauty: Stockman Group


An alluring staircase entrance with warm heritage colours and brass treads leads past a dazzling chandelier to the bespoke new office spaces of Ruby Black.

 

 

The latest reborn beauty from Stockman Group at 201 High Street melds cherished history with perfect contemporary function.

This rebuild was a passion of two halves.

The original Ruby building has become contemporary-themed office spaces on two levels, with the ground floor poised for retail or hospitality.

Adjoined, is the reconstructed former Victoria Black building which parades the original façade of two beautiful arched windows, above Kilt fashion store.

For Director Shaun Stockman, reinstating the iconic window features was a rewarding labour of love, and cash injection.

Now fully double-glazed and extensively repaired, the landmark lights up the Salt District by night.

The project started February last year, with Shaun adding the final touches during lockdown.

Now of the nine affordable office spaces from 26 to 60sqm, five remain for tenure.

All include practical desk configurations, separate meeting spaces, and full kitchens, including wine racks and dishwashers.

Some of the black and white chic offices have expansive windows and high-raked plywood ceilings, two with spacious balconies above High Street.

A southside office has wide vistas to the hills. Some may prefer a coveted arch-window view, with a juxtaposition of modern and yesteryear detailing, such as stamped-tin ceilings.

Every office has its own personality.

And no corners have been cut here, in fact every corner exudes character. Gold cornices, chandeliers, tropical Victoriana wallpaper and glossy black paint work embellish the vestibules.

Even the shower room has Spanish tiling.

The Victoria Room is a boardroom of grandeur, complete with audio-visual screen. It feels comfortably warm here, even though high ceilings and doorways abound.

“People are not quite sure if it’s an old building or new,” he says. But this was Shaun’s intention.

“It’s a fantastic location, especially for young staff, amongst bars and cafés. We also offer parking nearby for $30pw.”

If staff numbers fluctuate, he can always negotiate a larger or smaller-sized office from his unique Above Your Space CBD portfolio.

Ruby Black is a rare, enviable work-home that will be very hard to leave.

Visit the website below or phone Anna Morawiec on 022 059 7620.


 

2020’s exceptional architectural identities: NZIA Awards


Post-quake, our rebuilding city was recognised as a commercial playground for talented teams to create dynamic, contemporary designs, alongside the strengthening of some of our more grandiose architectural identities.

 

 SHIRLEY BOYS’ & AVONSIDE GIRLS’ HIGH SCHOOLS

 

Although we’ve long since moved through the ‘rebuild’ phase of construction in our southern spot, the world-class level of architectural achievement has lost none of its momentum; a fact which is evident in the 35 local projects which have been shortlisted in the 2020 Canterbury Architecture Awards from a record number of entries in the awards programme of the Canterbury Branch of Te Kāhui Whaihanga New Zealand Institute of Architects (NZIA).

HAUS ESPRESSO

The difficult task of shortlisting entries was handed to a jury led by Christchurch architect Huia Reriti, fellow Christchurch architects Bernadette Muir and Daniel Sullivan, Wellington architect Anne Kelly, and Christchurch architecture designer Tobin Smith.

“Making the shortlist is a significant achievement, especially in what was a very productive year for architecture in the Canterbury Branch region,” jury convenor Huia Reriti says.

FENDALTON HOUSE RESTORATION

“The shortlist includes outstanding examples of the wide range of buildings that architects design, from schools, offices, public buildings and churches to houses and apartments.”

Among the projects shortlisted for the 2020 Canterbury Architecture Awards, which is supported by Resene, are the restored Christchurch Town Hall and a new town square in Greymouth.

AO TAWHITI UNLIMITED DISCOVERY

‘Starchitecture’ is given a new meaning by two shortlisted projects – a building on the Ilam Campus of the University of Canterbury named for the eminent New Zealand astronomer Beatrice Tinsley, and the Dark Sky building in the Aoraki Mackenzie Basin.

The COVID-19 lockdown has meant that site visits to shortlisted projects by juries around the country have been put on hold.

Resumption of the visits or the adoption of alternative means of deciding award-winners are dependent on the national measures adopted to combat the COVID-19 pandemic.


 

Spark-ling new streetscape

 


The advent of forward-thinking architecture in Christchurch provides consolation for loved structures lost, and forges a new identity for the city as a stylish and technologically advanced urban landscape.

 

PHOTOGRAPHER DENNIS RADERMACHER

Sheppard and Rout Architects’ graceful Spark building brings almost 500 staff from the suburbs to the centre.

Spark sought to play a part in the CBD rebuild, and Sheppard and Rout Director Jasper Van der Lingen congratulates Spark for the efforts they have made to be a key vessel in a thriving heart.

Sheppard and Rout was chosen through a rigorous process which called for proposals for site, building design and financials.

Jasper worked alongside Steven Orr, Matt Gutsell, Max Warren, Abigail Hurst, Ella van der Lingen and Rick Bennetts.

“We were thrilled to be selected. It is a great advance to have something alongside the Square to work in harmony with Tūranga, Te Pae and, of course, the Cathedral itself,” Jasper says.

“The design itself is remarkable. Offices and ground-floor retail are joined by a bar and restaurant on the upmost level, with wind-protected roof-top terrace.

“There are views across the mountains and the Port Hills.”

The building has a lightness to it created by a rare double-skin fritted glass façade which mitigates heat gain but promotes daylight and views.

The fritting provides some shade and the pattern is a cubist rendition of the Cathedral roof pattern.

“It reflects the surroundings and evokes Spark’s role in the continuous flow of digital information,” Jasper says.

Not just beautiful, this building is aiming for 5 Green Star Energy Rating. Base isolation means it can sway plus or minus 300mm.

 


 

Old Souls


There’s not many ‘old souls’ left standing in the Christchurch central city, which makes the opportunity to showcase any effort to maintain them a good one.

 

Photo: CCC/Newsline

The former Wellington Woollen Mills building at 96 Lichfield Street and the Design and Arts College building at 116 Worcester Street have each received $600,000 toward their multimillion-dollar repairs and refurbishments.

Christchurch City Council staff had recommended $900,000 for each building, but with only $1.2m left in the heritage grant kitty for this year, councillors decided against dipping into next year’s $1.5m budget, instead opting to cap the amount at $600,000 each.

Both properties are classed as ‘Highly Significant’ buildings in the Christchurch District Plan.

Dating back to the 1930s, the former State Insurance building in Worcester Street was designed by renowned architect Cecil Wood, in association with Paul Pascoe.

It has art deco influences and was first used as offices for the State Fire and Accident Insurance Company and for the Lands and Survey and Lands and Deeds Departments.

The building was damaged in the earthquakes but has changed hands since then. The new owners – 116 Worcester Street Ltd – have plans to fully upgrade it and restore this golden oldie’s historic façade, including the original coat of arms. Its new use will be for living and rental accommodation.

The second notable building is the former Wellington Woollen Mills building, a category 1 historic building in Lichfield Street, which dates back to 1920.

It was designed by architect William Gummer, whose firm Gummer and Ford, was responsible for many significant buildings around New Zealand including the Auckland Railway Station and the former National Art Gallery and Museum in Wellington.

Designed in a pared-down classical style, it was one of the first commercial buildings in Christchurch to feature glass curtain walling.

Currently hiding behind scaffolding and mesh, the new funding will be a welcome addition in the process of breathing life back into the building.

The new owners (Wool House Investments Ltd) hope to both repair and upgrade the structure.

The Central City Landmark Heritage Grant Funding Scheme was set up by the council after the earthquakes to help owners retain, repair and strengthen the central city’s remaining historic buildings.

To date, grants of more than $13.5 million have been made to 12 different heritage restoration projects.

The heritage grants for the two buildings have been granted on the condition that full conservation covenants are registered against the property titles.