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Author: Melinda Collins

Jackie Clarke’s southern sounds

We caught up with powerhouse vocalist Jackie Clarke ahead of her 2021 trip down our way for Selwyn Sounds.



You’re heading down our way for Selwyn Sounds in Lincoln in 2021! How excited are you and what are you looking forward to the most?!
I’m so thrilled to be part of this line-up. This will be The Lady Killers’ second time to Selwyn Sounds; we’re honoured to get a re-call as honestly it’s one of the best gigs of the New Zealand summer, such a great vibe. This time round the bonus for us is it’s going to be like a big family party on stage. Suzie’s son Andy will be there, as will my good friend Nathan King, and our great mate Annie Crummer, plus I’m a huge Jon Stevens fan! I’ve had a major school girl crush on him since the days of Jezebel, so it’s going to be great to get to see him live… I’ll try not to stalk him backstage!

You’ll be showing off your powerhouse vocals with the other lovely ladies that make up The Lady Killers – Tina Cross and Suzanne Lynch. How did the three of you come together as a band?
We met at a benefit concert 15 years ago and ended up being thrown together to sing some backing vocals for another singer. The moment we opened our mouths and sang, it was like a bolt from the blue moment – it felt like we were born to sing together, like sisters. It’s pretty much a once in a life time sort of a connection we have.
We knew straight away we had to keep singing together. So I basically went out and booked us a gig. As soon as we had a deadline to egg us on, we spent months developing arrangements and also started a 15-year habit of very long lunch meetings and flat white drinking.

You’re celebrating an incredible 15 years together! How close are you?
It’s weird; we’re all very different women; we’re from three different generations, we have quite different views on the world really, but we do get along well. It’s the sort of relationship that shouldn’t work, but it does. I guess we are each other’s biggest fans, so that kinda helps! We also have to work quite hard to make the time to sing together because of constantly evolving and conflicting individual schedules, so I guess that keeps the relationship fresh too, we have enough space in the relationship to keep us from taking each other for granted. It’s still a treat to share the stage with one another.

How did you come up with the name – The Lady Killers?
Oh names are the hardest thing to figure out! It’s torture finding a band name; a lot of brainstorming went on. I was keen on being The Mothers, but apparently some motorcycle gang already had taken that one (how annoying!!). We liked the idea of reclaiming a name that men use. A ‘Lady Killer’ is usually some dude that fancies himself as a ladies man, but we think of ourselves as ‘ladies’ who do ‘killer’ versions of whatever song we like.

You’ve been a beloved New Zealand performer for more than 35 years now! What do you love about performing and getting to do what you do?
Yeah, my first tour with a band was when I was 18 and I’m 54 now and still strutting my stuff, so I guess it’s just part of my DNA. I love performing live on stage, it’s honestly the place I feel most at home in the world – I feel totally free when I’m singing in front of a live audience. I love the chemistry that happens between a performer and an audience, it’s different every show so that means every gig is unique.
I also LOVE singing and playing music as part of a collective. It’s such a satisfying and joyful thing to be part of. There’s no better buzz really. I love the discipline of making things as perfect as possible and the satisfaction when everything comes together and the music is just flying

What have been some of your most memorable experiences over the years?
Meeting your heroes is pretty cool and performing with them is mind-blowing. Singing with Tina and Suzie is like that for me. I used to watch Tina on Ready to Roll when I was 10 or 11 and Suzie as a soloist was a part of my growing up in NZ. When I started doing session singing in the late 80s and early 90s, Suzie’s name was always whispered in reverential tones as the high priestess of session vocals, and now to be singing alongside both of these women is just crazy and something I’m eternally grateful for. That’s NZ I guess, we’re never more than six degrees separation from our heroes.
Also I’d say the wonderful about singing is it’s a passport to the world… and I’ve never valued that more now that we’re currently in a space where the world is no longer available to us. Travelling to places far and wide with my singing mates having adventures singing in places like Kuala Lumpur, the Riviera, throughout Asia and the Pacific is something to be eternally grateful for.

What do the next 12 months have in store for Jackie Clarke?
Well to be honest a lot of the things I had lined up for 2020 have skipped a year and turned up in 2021…. so it’s going to be like deja vu all over again! We’re talking about whether to release another Lady Killers album to mark our 15th anniversary. By the time Selwyn Sounds 2021 comes around hopefully you’ll know where the long lunch meeting with lashings of caffeine got us on that score.


My first tour with a band was when I was 18 and I’m 54 now and still strutting my stuff”

A poignant profession

Dr Cynric Temple-Camp sees dead people. But rather than some spooky phenomenon, he is one of New Zealand’s leading pathologists and over the years has been tasked with working on many famous and private cases. His latest book The Quick and the Dead is set to hit the streets this month, exposing the fascinating world of a pathologist.



I see each case as my patient waiting for my help and I do my best to do that.

Can you tell us about The Quick and the Dead?

These are some of the stranger or more poignant tales of both the living and the dead.

As such, it expands on my first book The Cause of Death, where I wrote mainly of the stories of those who died.

No-one expects to die or really knows the exact time of their death and there are only a few who can realistically plan their passage onward from here.

Sometimes people expect to die or perhaps they should have died but didn’t.

I have told some of their stories as well. I try to convey the element of chance there is of life and death.

The dice roll every day and how they will fall is a random event, known to no man.

How do you mentally prepare yourself to do what you do?

It seems difficult to most people in the sense that they thankfully have no exposure to a daily diet of sudden death with and without massive trauma.

Pathologists do become used to it and cope in a variety of ways, not least because of unobtrusive blocking by the brain.

A wise old pathologist once said to me as we looked staring resignedly at body fragments horrendously mixed with stone ballast from a train collision, ‘It takes about 30 seconds for frontal lobe disconnection to kick in and after that you won’t even notice anything amiss anymore.’

In a way we are no different from trauma surgeons in the Emergency Department, police, firemen, ambulance drivers and mortuary technicians.

All see terrible things and have learned to cope or perhaps become vaccinated against the shock.

There are some cases that are exceptions though.

Murder is always one, aircraft accidents are for me personally, and of course any death of a child is another.

I always tell myself that the victims are my patients, that I am their last doctor and that it is my duty to help them tell their final story.

How rewarding is what you do?

To find an answer to a diagnostic dilemma afflicting the living is one of the best feelings ever for any pathologist.

There are stories of odd medical conditions which posed a tough and tangled pathway to diagnosis and sometimes then to life.

Sometimes too the road sadly led to death.

I see each case as my patient waiting for my help and I do my best to do that. In that way my professional satisfaction is exactly the same as other doctors, nurses and other medical folk.

The only difference is that with the living, clinicians get to see the patients while we see their biopsy specimens.

They are however still our patients and we care for them the same.





Canterbury’s country crooner: Miranda Easten

Miranda Easten has been putting pen to paper since she was nine years old, but it wasn’t until she picked up a guitar that her poetry melded with music.




“Most of my best songs have started with a feeling,” the beautiful country singer says from the studio at SOLE Music Academy, a dedicated, world-class music hub headed by international platinum recording artist Sacha Vee on the ground floor of the historic Woods Mill Building in Addington.

While some of her songs are autobiographical, some are a means of expressing powerful topics that have ranged from climate change to a high-profile murder case.

But it’s not all doom and gloom; with a strong message of preserving hope through the good times and the bad.

“I love being able to turn feelings and emotions into something tangible,” she says.

Born and bred in Christchurch, Miranda gained singing experience by performing with the Christchurch School of Music, before going on to study Contemporary Music and Performance at Ara Institute of Canterbury Music Arts.

Released in February this year, her debut single Cowboy Lullaby from her upcoming album has already been met with acclaim from critics, quickly rising to #16 on the Official Top 40 Country Music Chart in Australia, where the country genre enjoys a higher profile.

In 2010, Miranda charted on Christchurch radio station The Breeze, singing a cover of Till it Feels Like Cheating by Jewel, who has been a major influence on her sound and style.

Just two years later, she featured on the Voices of Country compilation album, released by Compass FM.

“If I couldn’t put pen to paper or emotion to song, then I would be thoroughly lost,” Miranda says.

“It’s a unique opportunity to be able to write about powerful topics and tell a story through music.”

In 2014, Miranda formed a duo called The Manuka Set with Vanessa Kelly, who had three #1 hit singles in New Zealand with Deep Obsession.

The Manuka Set has created several songs and music videos which illuminate current events and social issues.

Their latest music video highlights the peril our oceans face due to plastic and other synthetics.

Her new single Only One has just been released. Produced by world-renowned producer Greg Haver (Melanie C, Kimbra), and recorded with New Zealand band Tiny Ruins at Roundhead Studios, the song is an “uplifting song about proclaiming an unbreakable love for someone, when it feels like no words are adequate or worthy enough”.

Written in under an hour, Miranda says working on the track with Greg Haver and the Roundhead Studios team was amazing.

“I had to keep pinching myself,” she says.

“I had a lot of input into the single and, even though it was the first time we had worked together, Greg knew how I wanted it to sound. We worked really well together; he’s very funny!” she says.

With huge support coming from Australia, there are big plans in the works, which include setting up a band and touring our neighbouring country.

She’s co-writing with Brisbane singer-songwriter Shane Nicholson and they’re working towards a late-January release of new music.

“I can’t imagine doing anything else. It’s incredibly rewarding to be able to observe the world and write about it. I’m so privileged to be able to do what I do.”

On 25 July, Miranda will be performing at a SOLE Showcase, alongside other local performers. For more information, find the event page on Facebook or for tickets, visit


Editor’s Perspective: 09 July 2020

“Just living is not enough… one must have sunshine, freedom and a little flower” Hans Christian Anderson



We’ve just waved goodbye to the gloomiest month of weather in more than two decades.

Yes June, we’re talking about you and since you’ve given us the least amount of recorded sunshine hours in more than two decades and thrown in a violent 11.82 metre storm wave, we’re not sorry to see you go!

But then June, in all its gloomy glory did give rise to some inspirational conversations here at Metropol headquarters.

Namely, just how much more we appreciate the sun when we’ve had a little – or a lot of – rain. Because, in the words of J Cole, I’m Coming Home, “in order to appreciate the sun, you gotta know what rain is”.

If you’re bracing yourself against the cold right now and struggling to see the positive side, New Zealand has plenty.

The Pancake Rocks in Punakaiki featured on page 12 are something special in winter.

The water forced through these limestone formations makes tiny geysers and blowholes.

Follow in the footsteps of Sir Peter Jackson and film the beautiful snow-covered peaks surrounding the Lindis Pass (home to the Misty Mountains).

And don’t forget the jewel in winter’s crown – Queenstown, where everything is exquisite in the chilly months.

Staying home? Nothing comes close however, to rugging up by the fire with a copy of Metropol and a cuppa.


Tricks up its sleeve

We’re embracing the statement sleeve this sartorial season because, if you want to stand out from the crowd, this is a silhouette with a few tricks up its sleeve.




Whether you want big and billowy in shape, extra-long in length or intricate detailing, there’s a statement sleeve for everyone, from bell sleeve blouses to ruffled sleeve tees and everything in between.


The puff-sleeve trend dominated the red carpet at the 2020 Golden Globes, with celebrities from Dakota Fanning to Rachel Bilson adding serious drama to their looks with statement sleeves from romantic pink to canary yellow.


So it might just be time to wear your art on your sleeve! After all, to wear your heart on your sleeve is to let it all proverbially hang out and, when it comes to this fashion-forward flirtation, the sentiment is the same.




Grape Expectations: Melton Estate

Nestled comfortably on a 12-acre block on Weedons Ross Road, West Melton, Melton Estate is, at its heart, a modern restaurant and event venue, but it’s the boutique winery which is meeting the grape expectations of a loyal and growing patronage.




Owner and wine afficionado Philip Caunter says that while the popular winery – surrounded by lush pinot noir vines – supplies Pinot Gris, Pinot Noir, Riesling, Chardonnay, Méthode Traditionnelle, Sauvignon Blanc and the increasingly popular Rosé, it is the Sparkling Riesling known as ‘Summer Love’ which has earned widespread acclaim.

“We’ve been making Summer Love for 11 years now,” Philip says.

“Every year it’s extremely popular across a broad range of people. Its popularity has really surpassed expectations.”

To describe this tasty tipple as a Sparkling Riesling with a bit of pinot added to the mix may over-simplify the time, talent and labour-intensive process of vinification, but equally, it can be described as fun in a bottle.

“Summer Love is about fun, celebrating, coming together,” Philip says.

“It’s just slightly sparkling, or what the Italians call frizzante; it resonates with people who want something that’s a little bit fun.”

When it comes to celebrating, their French-style champagne Méthode Traditionnelle, is another top drop.

At this time of year, Pinot Noir and Chardonnay are on the online order for many Melton Estate customers, while in summer the fruity Rosé comes out of hibernation.

“We’ve had a great year in the vineyard and look forward to releasing more new wines,” Philip says.

“We enjoy the fact that people enjoy it; everything else flows on from that.”


Architectural evolution: WSP Architecture

Architecture is the blueprint for a city’s form and function, making it critical to development. So we caught up with WSP Architecture –Christchurch Principal Architect Colin Corsbie FNZIA about the architectural evolution of our city.





What drew you to architecture and what do you love about what you do?
A passion for physically building places and spaces. Each project brings different design challenges and people together. It is a people profession which is constantly changing and evolving, and you learn something new each day.

How is the architectural climate looking right now?
It is difficult to gauge the ongoing impacts from Covid-19. Firms primarily working in the commercial and hospitality sectors will be affected most. Some firms are certainly feeling the pain in the short term and may have to diversify to survive. New Zealanders are very resilient however and part of our “can-do” Kiwi mentality is to look forward and focus on things we can control, not dwell on things we can’t change. I am positive the profession can respond to this latest challenge.

What are some of the main architectural trends you’ve been seeing come through?
The Christchurch Earthquakes have resulted in a new architecture where innovative resilient structures have been created and these structures are being expressed as part of the architectural aesthetic. Covid-19 has already changed the way we work and given us the opportunity to reprioritise our lives. People are more aware of the profound impact our surroundings have on our health and wellbeing, and this will drive new architectural approaches to work and home environments. This unprecedented event has given us the opportunity to pause and reflect on what we are designing and building, another outcome of which will be a more committed focus on sustainable and environmentally responsible design solutions.

Your practice was involved with the St Patrick’s Church in Lincoln. What are some of the other most fulfilling projects your practice been involved with over the past year?
Our design aspiration is to create enduring and human-centric architecture. Our portfolio is very broad, encompassing community and civic projects, churches, schools, tertiary education facilities, projects for central government and local government agencies, commercial buildings and large infrastructure projects. A new Visitor Experience Centre in Stewart Island, the Auckland City Rail Link (CRL) project, Grace Apartments Complex in Auckland, Massey University Innovation Science Centre, Linwood Pool Complex, new Public Amenities for the Kaikoura highway, a new Town Square for Greymouth, the MWRC Commercial Office Building in Palmerston North, and Wellington East Girls High School, demonstrate the varying scale and geographic spread of our projects.

What exciting projects we can look forward to?
We are currently pursuing a number of exciting project opportunities which will help revitalise the towns, cities and regions where they are located. Commercial and political sensitivities prevent me from expanding on these at this point, but a number have already secured funding, including some with Provincial Growth Fund support and will be proceeding in due course.

What does the next 12 months have in store for WSP Christchurch?
We are committed to a number of economic stimulus projects across New Zealand and these will be our primary focus in addition to our business as usual project work. Our practice is extremely busy and has a strong forward workload. Our over-arching design ethos is ‘Creating what matters for future generations’ – and this is what drives our design team.




Model Citizen

Michaelee-Jayne McDonald may look at home on the rugby field or out in the Sumner surf, but this beautiful local is equally at home on a runway or a glamorous photoshoot.


Scouted by Portfolio Model Agency Director and owner Mel Radford-Brown four years ago as a 16 year old in a model search competition, Michaelee had recently recovered from a surfing accident.

She broke both her jaw and her nose, requiring about 80 internal stitches. Doctors told her she was lucky not to be paralysed.

“I realised that you can’t take life for granted and really do have to make the most of every opportunity,” Michaelee says.

“Which is why I put myself into the Portfolio Model search and say yes to every gig/do all the castings that I can!”

But that wasn’t to be the last of the daredevil’s injuries! “In early 2018 I decided it was a great idea to skateboard down a paved hill in Blenheim!” she laughs.

“This ended with me once again waking up in hospital. At the time they only did an ultrasound to check if I’d fractured my skull, but there was so much blood they couldn’t see anything!”

With constant headaches and worsening vision following the accident, Michaelee’s mum demanded a CT scan.

“I actually still remember the look on the lady’s face coming out and saying that the specialist needed to talk about something but then coming out again saying they’ll send it to my GP instead,” Michaelee says.

She had already seen a neurologist in after her 2015 surfing accident and was concerned about wasting the doctor’s time when she was called in the following day. “But this time she said ‘it’s actually not good news, they’ve found a cranial tumour’.”

Two years ago she had a craniotomy to remove the tumour. “This meant I had to leave the New Zealand Institute of Sport (NZIS), I had to pull out of my touch Canterbury team going to nationals, I wasn’t allowed to play rugby, I was unable to do anything related with modelling and I lost all my muscle/general strength,” she says.

“I was constantly tired for months, could not stand noise and was unable to eat. I’m a very active person so, as anyone would be, I was gutted. Especially because at the time I was so fit both mentally and physically; feeling like I had to start from scratch was tough.”

After her operation, Michaelee’s right eye was permanently looking right out to the side because the tumour was putting pressure on her orbit.

Then, when the part behind her orbit was removed, it lost its support and there was a risk that her eye would not be able to re-adjust itself.

Now she says one eye protrudes out more than the other.

“This used to make me self-conscious but I’ve learned so, so much since I first began modelling that I now take no notice of it and just enjoy the moment rather than focusing on those thoughts at the back of my mind!” she says in true Michaelee fashion.

There is also a distinctive shape on her forehead from the surgery. “I’m constantly getting asked if I’ve hit my head, but it’s actually my bone! I could get filler put in to make my forehead symmetrical if I wanted/needed to but I love the way I am!

“Every time I look in the mirror I smile because it’s such a great reminder of how far I’ve come and what I’ve achieved!

You can decide to be a patient, think the worst and ask for sympathy but, for me, there’s no point drowning yourself in sorrow.

Regular MRI scans and multiple tests are all a part of my current journey now, so the best remedy by far is to stay positive and set your mind towards something you’re passionate about!”

Michaelee is now enjoying the lucrative opportunities coming her way with Portfolio and recent bookings include a television commercial for an international client and a New Zealand fashion label based in Christchurch.

“Michaelee is quite a hard case with a personality that is larger than life,” Mel Radford-Brown says.

“Michaelee is one of those beautiful girls, inside and out, who truly sparkles and leaves an impact on everyone she meets, she is a very special girl, and without a doubt, has been ‘one to watch’ with us.”


Big battle for little Lachie

At the age of four, Lachie Connell and his family spent 229 nights at someone else’s house.



The day before this mammoth sleepover, everything was relatively normal for the West Coast family of five, that includes younger brother Malachi, older brother Silas and parents, Pat Connell and Jeanna Abelson.

That is, apart from the regular fevers, the unusual bruising and the lethargy Lachie was experiencing.

“He’d been having some pretty random fevers, off and on,” Jeanna says.

“The doctor would say it’s just a virus. It would go high then go away, but quite regularly. Then maybe two or three weeks out from diagnosis he got tired and lethargic at school and wasn’t quite himself. Then he started developing bruises. He was an active little boy but nothing that explained the bruising.”

So, on 30 August 2018, Jeanna took him back to the local GP where she had been able to secure an appointment with a nurse.

That nurse pretty quickly brought in the doctor and that doctor took one look at him and sent a shocked Jeanna straight to Greymouth Hospital.

“She said there were some pretty serious illnesses that displayed like this and one is actually leukaemia,” Jeanna says.

Blood tests immediately showed cause for concern and from there, the family went straight to Christchurch with just the clothes on their backs.

Lachie was admitted to the ward at Christchurch Hospital at 7pm that night. The following day he was diagnosed with Acute Lymphoblastic Leukaemia (ALL)

“From there he was in hospital for a month,” Jeanna says.

“He had a very intense round of chemotherapy; he had a total of nine months of intense chemo, but the first round is particularly hard where he couldn’t walk for a month. But he got through it, he carried on.

“Now he’s in maintenance treatment.”

The aim of maintenance treatment is to get rid of any remaining leukaemia cells.

An intense regime, it involves daily chemotherapy medication, antibiotics to prevent lung infections, steroids to help destroy leukaemia cells and prevent reactions, Intravenous chemotherapy (IV chemo) and Intrathecal Chemotherapy (IT chemo) delivered by lumber puncture every three months to kill any leukaemia cells that might have spread to the brain and spinal cord, along with regular tests and check-ups with his oncologist.

The brave little battler just turned six earlier this month.

Home away from home

In the first month of treatment in Christchurch, Lachie was in the hospital almost full-time, so it was critical for the family to be close by.

Jeanna and Pat did sleep shifts and play-time shifts to enable them to be with Lachie and keep their youngest Malachi – who turned two the month following Lachie’s hospital admission – occupied in the Children’s Haematology and Oncology Centre, where Lachie was being treated.

That’s when Ronald McDonald House South Island (RMHSI) stepped up.

A registered charity, RMHSI supports families with food and accommodation in one of their centres when their child is in a hospital away from home, free of charge. Having left their lives on the West Coast to begin treatment in Christchurch, RMHSI took the stress, worry and cost out of the equation for the young family.

It enabled them to stay close by the hospital during the initial treatment and allowed them time to make Christchurch their permanent base for the longer-term treatment programme.

The boys named RMHSI the ‘party house’ from the fun environment created when all the families in the 26-bedroom Christchurch House get together for dinner.

In Lachie’s first round of treatment, the 6pm dinner was the only thing that would entice him out of his room, even when he wasn’t up to eating.

Having lost her first son when he was a baby, Jeanna is aware of just how extraordinary this service is.

“He became unwell at three months old. Same thing happened, we were rushed to hospital, but there was no Ronald McDonald House back then, just an old janitor closet that was small and uncomfortable,” she says.

“Ronald McDonald House became something so special to us. It feels like home. It’s a warm and friendly environment which makes going through treatment less stressful.

“There’s a real family feeling there, it’s a loving environment. All the staff are so incredibly warm, they become your family… your Ronald McDonald House family.”

Last year, RMHSI became a ‘home away from home’ to 1281 families, saving them more than $1.2 million in accommodation expenses.

Already, the organisation has helped more than 200 families this year. However, like many charities, RMHSI has had to cancel its major fundraising events this year – Invercargill, Christchurch and Queenstown Supper Clubs.

So the organisation is hoping to raise more than $50,000 to support Kiwi families via its Host a Roast™ community fundraising event which launched this month.

During the month of July, host a roast and invite your whānau, friends or colleagues to attend for a $20 donation.

This will go towards supporting families who require a ‘home away from home’ while needing hospital treatment for their child.

“Host a Roast™ is all about celebrating the precious moments created with family and friends around the table. Now, more than ever, it’s an experience we can all appreciate,” RMHSI Chief Executive Mandy Kennedy says.

“Our commitment to serving families who must travel to Christchurch or Invercargill for their child’s medical treatment is unwavering. Our eyes are firmly fixed on providing the best care and support for families who are going through a tough and uncertain time, and on the children who need their parents by their side.”

To register online for Host a Roast™ head to


A Crisp Collection

Caitlin Crisp first won Kiwi hearts on Project Runway NZ, now she’s transformed reality TV success into a design empire, with a fashion philosophy based on timeless, easy to wear pieces that are elegant but still a bit of fun.



What attracted you to the design field?

It’s one of those things where when you know, you know.

According to mum I was dressing myself before I could talk!

But I have also always been interested in the construction and technical side of producing clothing, so it all grew from there.

You’re originally from Christchurch before hitting it big on TVNZ 2’s Project Runway, where are you based now?

Auckland! I love both Auckland and Christchurch so will always live between the two but needed to be up here to get a head-start in the fashion industry. It was the right move.

It’s an industry that’s said to take no prisoners, how have you been able to take your reality TV success and turn this into a long term business?

It’s definitely a tough industry but I think the way I handled being on the show is true to how I handle the industry – ruthless positivity and by working with like-minded people that share the same problem-solving and forward-thinking attitude!

What’s the most fulfilling part of what you do?

Oh goodness where to start!? It’s the little things like sitting in my studio in the early hours of the morning thinking, “this is my space, this is my business, how amazing!”

And then the obvious ones such as seeing customers and loved ones wearing and feeling amazing in my designs, coming up with new ideas and working with beautiful fabrics.

Sewing and completing garments is a really fulfilling activity in itself!

What do the next 12 month have in store for you and the brand?

I try to separate the two where possible (it’s impossible!), but for starters, we have a great summer collection coming with our first exclusive print!

I’m very excited for that and often find myself wearing the samples around the studio.

I hope to pick up a few new stockists and do my best to get through what I’m sure is going to be an interesting year ahead.

Personally, the only things that are guaranteed are daily phone calls to my darling mother and many wines with girlfriends here in Auckland!